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Issue 104 Summer 2008
THE BOMB BLAST
Sullivan’s film installations combine performance, dance, original scores, and song. With choreographer and dancer Stuart on misfire, the body politics, and controlling chaos in ensemble-based work.
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Peter Saul—painter of satirical and ribald images since the 1960s—on his recent move to New York City, assimilation into the art world, and his big, bad subjects.
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Well before it evolved into a 200-channel entertainment behemoth, Birnbaum was making now canonical avant-garde videos critiquing television’s celebration of passive consumerism and exploitation of human drama for mass consumption.
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The John Waters of YouTube, Linzy discusses his family’s southern history and the characters in his ongoing series of camp soap operas. WEB EXTRA: Watch the exclusive music video of Linzy’s Asshole Remix.
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The booming business of the Mexico/U.S. border: Davis, chronicler extraordinaire of these apocalyptic times, connects the dots between the War on Terror, the War against Drugs, Immigration and Homeland Security.
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OUTTAKE! In BOMB’s print issue, Mike Davis and Lucy Raven tour California’s El Cajon, the author’s hometown. Read on for more of Davis’s perspective on the unique growth and evolution of El Cajon.
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The projects undertaken by the architecture and design firm KieranTimberlake Associates have redefined green design and off-site fabrication. Timberlake discusses their project for MoMA’s Home Delivery: Fabricating the Modern Dwelling.
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