Sol LeWitt by Saul Ostrow

A key figure of the ‘60s art world, Sol LeWitt bridged the gap between Minimalism and Conceptualism, foregrounding the disparity between the world of language and that of objects and actions.

(Issue 85 Fall 2003, ART)  >>>

Vera Lutter by Peter Wollen

Vera Lutter’s camera obscura photographs trace a history of light and architecture in urban, industrial and transportation hubs. Traces of people, planes, blimps and clouds exist like ghosts in these panels of space and time.

(Issue 85 Fall 2003, ART)  >>>

Edward St. Aubyn by Patrick McGrath and Maria Aitken

Novelist Patrick McGrath and actress/director Maria Aitken take a frolicking and incisive ramble with Edward St. Aubyn through his latest literary coup, Some Hope.

(Issue 85 Fall 2003, LITERATURE)  >>>

Rikki Ducornet by Laura Mullen

Set in Egypt, Rikki Ducornet’s latest novel, Gazelle, revolves around sensuality and sexuality, war games and chess, and the ancient sciences of perfumery and mummification. Thrilling but not a thriller, it is a literary conjugation of pleasure and lo

(Issue 85 Fall 2003, LITERATURE)  >>>

El-P by Matthew Shipp

New York hip-hop musician and producer El-P has redefined (and willfully dismissed) the conventions of that genre, resulting in years of groundbreaking recording and producing. His 2002 solo debut, Fantastic Damage, was a landmark album.

(Issue 85 Fall 2003, MUSIC)  >>>

Gina Gershon by Dave Stewart

Gina Gerson’s latest film, Prey for Rock and Roll, tells the bittersweet story of Clam Dandy, a grrl group based on the ‘80s punk band Lovedog. Preparing for the lead role, Gershon channeled her inner rock goddess.

(Issue 85 Fall 2003, THEATER)  >>>

Jon Robin Baitz by Stephen Gaghan

Screenwriter and playwright Jon Robin Baitz is the author of the award-winning play Three Hotels and the critically acclaimed Mizlansky/Zilinsky. His characters are often towering figures who have dominated the lives of those around them.

(Issue 85 Fall 2003, THEATER)  >>>

Suzanne Farrell by Emily Fragos

Suzanne Farrell was both George Balanchine’s muse and his collaborator in expanding the possibilities of ballet through experimentation and invention. Here Farrell shares stories from the Balanchine years and observations on dance with poet Emily Fragos.

(Issue 85 Fall 2003, THEATER)  >>>

David Humphrey by Elliott Green

This article is not yet available online. (Issue 85 Fall 2003, ARTISTS ON ARTISTS)  >>>

Clifford Ross

Wave Music

(Issue 85 Fall 2003, ARTISTS ON ARTISTS)  >>>

Mark Dion by Nell McClister

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Mark Lombardi by Devon Golden

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Tran Luong by Joe Fyfe

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Edgardo Vega Yunqué

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Karen Shepard

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Lyn Hejinian

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Miranda Field

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Edward Bartók-Barrata

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Quentin Rowan

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María Negroni

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Romulus Linney

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Todd Grimson

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